But they weren't quite this low.
The series premiere of Joss Whedon's "Dollhouse" was seen by 4.7 million viewers Friday night and garnered a 2.0 preliminary adults 18-49 rating and 6 share. It was beaten in the 9 p.m. hour by ABC's "Supernanny" (6.1 million viewers, 2.2/7) and is the lowest-rated scripted series premiere on a major broadcast network this season aside from NBC's now-defunct "Crusoe."
"Dollhouse" was paired with the midseason return of "Terminator: The Sarah Connor Chronicles" (3.7 million, 1.3/5), which was shifted from its previous Monday post. "Terminator" came in third place in the hour and hit a series low (by like 27%). "Terminator" beat NBC's "Howie Do It" (3.9 million, 1.2/4), but not by much. Both "Ghost Whisperer" (10.3 million, 2.4/8) and "Wife Swap" (4.3 million, 1.5/5) did better.
The performances represent a disappointing debut for what was, on paper, a good idea: creating a male-skewing sci-fi block to go against CBS' night-topping female-skewing crime shows. Fox didn't expect to win against CBS, but had some hope of coming out ahead of ABC's reality shows. But "Terminator" was sinking in the ratings earlier this season and "Dollhouse" has suffered from negative buzz and creative trouble for months. Critics, overall, seemed disappointed with Whedon's latest effort.
Fox had a third-place finish for the evening despite airing full-budgeted dramas. "Dollhouse" fared OK against two of its competitors, with CBS' Canadian import "Flashpoint" (8.9 million, 1.9/6) and NBC's ailing "Friday Night Lights" (3.5 million, 1.1/3) pulling lower numbers. It also did better than last year's short-lived "Canterbury's Law" in the slot.
At 10 p.m., an episode of ABC's "20/20" (10.9 million, 3.4/11) about the impoverished hill people of the Appalachian Mountains drew the newsmagazine's largest Friday audience in more than four years (ABC, in fact, won the night over CBS, which is rare). Yes, there was a whole morbid curiosity "real-life 'Deliverance'" aspect to its popularity. But give ABC and Diane Sawyer credit for convincing so many people to watch a report on poverty. Usually a newsmagazine needs an octuplet mom to pull off those kind of numbers.
There is little doubt that the the current ‘hot topic’ in copyright circles is the upcoming Pirate Bay trial. The trial, which has been termed ‘
Valentine's Day is almost here, and as everyone from your bubbe to your Facebook status won't stop reminding you: You are alone. All alone. 
The only bit of that open disdain he showed Letterman-- and Letterman shoved right back at him-- came when one reporter dared to ask the question on everyone's mind: basically, "Is this a put on?" Phoenix acted as if he'd been slapped, as if he hadn't heard the question in dozens of interviews already. "It's hard not to get offended," he responded, as if his dedication to rap throughout his life should be enough evidence that this is all for real. And while he seemed to shrug it off, and the interview proceeded however bizarrely from there, Affleck jumped in at the end, telling the reporter she was so busy being "savvy" that she wasn't able to accept the honesty behind it (at least, I think that's what he was going for). I'm not sure who's drinking the Kool-Aid and who's serving it, but neither man seems capable of understanding the main reaction this whole rap career has gotten: total skepticism..
But amid the genuine dismay he seemed to have at our cynical questions, Casey gave an explanation that may have cracked the case. He blamed reality TV for our conception that everything has to be 100% fake or 100% real-- "there's a million shades of gray in-between." And that, more than anything seems to be the answer we're looking for. Joaquin Phoenix really does want to be a rapper, but he also really wants the attention that comes from appearing to have a breakdown in public. I told Casey that I was skeptical of how publicized the whole thing is, how Joaquin announced his retirement on the red carpet, rapped in Vegas for the first time only weeks later, and now has a documentary crew following him, assuring that we'll be hearing about MC JP or whatever for at least the next year. But given that Joaquin has willingly participated in the publicity tour for Two Lovers, all while barely talking about the movie itself, the publicity seems to be what it's all about. If he had cut an album in the privacy of his home and told us about it six months later, that would be beside the point. It's about the rapping, but it's also about subverting every expectation we have of the stern-jawed, Oscar-nominated actor.
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