Finally, after an admirable, but low-key career spanning two decades, Christian Bale is the biggest star in the world — at least as measured by having the title role in the most important movie right now: "The Dark Knight." Christian Bale has given Oscar-worthy performances in the past in prestige flicks like "Rescue Dawn" and enjoyed a notable cult following, but he's never been recognized by Oscar voters. No, he won't get nominated for a popcorn pic like "The Dark Knight," but Christian Bale is now such a superstar that he's perfectly positioned, soaring high in his bat cape over filmland, to be noticed by academy voters in the future.
That is, unless Christian Bale may have shot down his award hopes after he was arrested for allegedly assaulting his mum and sister, questioned by London police and released without being charged.
Has Christian Bale just thrown away his Oscar hopes?
Being a bad boy off screen can seriously hurt your shot at winning an Oscar for your on-screen work, however brilliant. Academy Awards are all about bestowing hugs, of course, and nobody wants to embrace a thug.
It's no coincidence that Oscar's two biggest losers — Peter O'Toole (eight defeats) and Richard Burton (seven) — have been Hollywood's biggest hell-raisers.
Or consider Marlon Brando. Early in his career, when he exulted in being a 'tude-heavy dude fond of throwing his fists around Hollywood, he left the Oscar ceremony in 1951 hugely embarrassed — the only cast member of "A Streetcar Named Desire" not to win despite widespread predictions otherwise. Things just got worse after that. Over the next two years Marlon Brando lost best-actor nominations for "Viva Zapata!" and "Julius Caesar."
Then in 1954, desperate to win, he finally wised up, knocked that chip off his shoulder, put on a fancy tuxedo and started acting all sweet and thoughtful at the Golden Globes where he won best actor first, then repeated the feat at the Oscars at last.
Playing the good guy can be awards bait, but not if you are a bad boy in real life. Consider the backlash against Christian Bale's "3:10 to Yuma" co-star Russell Crowe. Just a few short years ago Crowe was the biggest superstar in the galaxy. When "Gladiator" swept the Academy Awards in 2000, it was all about him, not his movie as academy members welcomed the star of "L.A. Confidential" and "The Insider" into the inner circle of filmmaking like he was a real gladiator triumphantly entering the Hollywood coliseum.
The next year he again joined the Oscar race as the lead star of the eventual best picture winner, "A Beautiful Mind." He was still such a white-hot actor that he coasted through the early derby, easily snagging a best actor trophy from the Golden Globes, Critics' Choice, SAG and — egads — BAFTA. That Brit fest is where the gladiator really threw himself to the lions. He did so by "roughing up," according to the London Sun, a British TV producer for daring to edit down Crowe's rambling recitation of a poem during his acceptance speech. At first he allegedly shrugged the whole thing off and refused to apologize. Soon public outrage grew furious enough that he appeared to take responsibility for his deed and said he was sorry, but it was the worst performance ever by an Oscar champ. When he allegedly shoved that BAFTA producer, he also threw away his chance to nab an Oscar for "A Beautiful Mind." Instead, Denzel Washington claimed the prize for "Training Day."
Two years later, Crowe proved he was still a commanding screen star, although no longer the ruler of his domain. He landed the lead role in "Master and Commander," an epic, high seas blockbuster that cost $150 million to make. While it earned only $93 million at the U.S. box office, it was a hit with Oscar voters, reaping a whopping 10 nominations, including best picture, but — ominously — no acting bid for the movie's master and commander: Crowe. It ended up winning only two Academy Awards, both in tech categories.
More disaster followed for Crowe with his next project, "Cinderella Man." This 2005 biopic helmed by Ron Howard looked like perfect Oscar fare: a well-crafted, feel-good tearjerker starring Crowe as a down-on-his-luck boxing hero. Reviews and buzz were excellent when it opened but soon thereafter Crowe pulled his biggest blunder yet. Allegedly drunk and unhinged in the middle of the night, he got mad when he had trouble dialing his hotel phone in Manhattan, yanked it out of the wall, marched down to the lobby and hurled it at an innocent hotel clerk. The clerk struck back by filing criminal charges.
Unfortunately for Crowe, the whole incident had been caught on videotape by a security camera. Suddenly, he became contrite and he quickly toured the TV chat shows to apologize to his victim and his fans, this time appearing to mean it. But it was too late as this hissy fit crossed a line. This time he wasn't bullying another media pro he had a quarrel with. Or it wasn't like this hotel clerk was a pesky paparazzo (like the kind that Sean Penn went after). He was an honest, hard-working, innocent Everyman, a regular Joe, just the kind of guy who probably spends a chunk of his paycheck to see Russell Crowe movies. Produced for $88 million, "Cinderella Man" ended up earning only $61 million domestically.
While voters for the Screen Actors' Guild and Golden Globes thought his performance in "Cinderella Man" was good enough to merit a best actor bid, Crowe was snubbed by the Academy Awards. And for his acclaimed 2007 roles in "3:10 to Yuma" and "American Gangster" he had to make do with a pair of SAG ensemble nominations.
Christian Bale has never had a hooligan reputation like Russell Crowe. That may help him to be easily forgiven now, if this current mess plays out OK.
Christian Bale certainly deserves another chance to be reconsidered for his excellent screen work. While the actor has denied that such an assault took place in London Sunday just hours before the premiere of the highly anticipated sequel to "Batman Begins," the damage to Bale's reputation may be irreparable. Though Christian Bale earned critical acclaim for transforming himself physically for roles in edgy films like "American Psycho" and "The Machinist," he never broke into the mainstream until taking on the iconic role of Batman in 2005. Since then, Bale has appeared in a range of big budget movies with varying degrees of success.
Though the historical epic "The New World" and the Victorian adventure "The Prestige" failed to impress, his performances last year in a trio of very different roles showcased his abilities. Whether as the real life Vietnam hero in "Rescue Dawn," one of six different incarnations of Bob Dylan in "I'm Not There," or the innocent rancher caught in the crossfire in "3:10 to Yuma," Bale showed Hollywood he had the right stuff. He recently wrapped "Public Enemies" playing the do-gooder who hunts down John Dillinger (Johnny Depp) and is filming the long awaited sequel "Terminator Salvation" stepping into the shoes of John Connor, the only hope for man against machine. And he is said to be considering the role of Robin Hood in "Nottingham."
(Warner Bros.)
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