Monday, December 15, 2008
Mark Hamill with his lightsaber in Star Wars: a New Hope - the prop has sold for £133,000 at a Hollywood auction
The lightsaber used by Luke Skywalker in Star Wars sold for more than £130,000 at an auction of Hollywood props and memorabilia.
Actor Mark Hamill used the lightsaber, which was made from an old photography flashgun, in both the original Star Wars: a New Hope and The Empire Strikes Back.
The weapon, sold by Star Wars producer Gary Kurtz, fetched £133,000 at the sale by Hollywood auction house Profiles in History.
An original section of the Death Star from the first 1977 movie also fetched £13,300 and C-3PO's helmet and robotic hands worn by British actor Anthony Daniels in the 1983 hit Star Wars: Return of the Jedi sold for £66,444 and £20,000 respectively.
An original set of the three Lord of the Rings books, all first editions printed in 1954 and signed by JRR Tolkien sold for £60,000.
Bound in original red cloth, each volume included a fold out map of Middle Earth at the back and used to belong to a student of Tolkien's.
'To the real James Bond from the thief of his identity' fetched £46,530.
Iconic: Luke Skywalker and Darth Vader have a lightsaber duel in Star Wars: The Empire Strikes Back
The book was given as a present to American Ornithologist James Bond, who died shortly after he met Fleming in 1964.
And the second draft original handwritten manuscript of You Only Live Twice, signed by Roald Dahl, fetched £53,200.
Pricey: The handle of Luke Skywalker's lightsaber made from an old photography flashgun
The full-sized animatronic 'Joe' from Mighty Joe Young fetched £53,200.
Memorabilia from the hit Gremlins movies also fared well in the sale, with the original Gizmo, which came still attached to the animatronic wires and switches used to control him, selling for £10,660, twice its high estimate.
Daffy fetched £5,700 and the George Mogwai puppet sold for £6,660.
Bad guys Mohawk Gremlin and an animatronic Brain Gremlin sold for £10,660 and £8,660 respectively.
Cult character: C-3PO's helmet from Return of the Jedi sold for £66,444
Elsewhere in the sale, a flying saucer from the 1956 classic sci-fi hit Forbidden Planet, which starred comedy actor Leslie Nielsen, fetched £43,300, almost half its high estimate of £80,000.
Arnold Schwarzenegger's signature T-800 Terminator costume from the 1991 film Terminator 2: Judgment Day, described by the auction house as an 'incredible and iconic costume ensemble', fetched £13,310.
Jim Carrey's Riddler costume from the 1995 film Batman Forever sold for £21,655 while his cane sold for £6,663.
Christian Bale's Batman cowl from the 2005 film Batman Begins, with two metal rings sewn into the lining in front for attachment to the Batsuit, fetched £11,325.
And from X-men, Wolverine's black leather battle suit sold for £50,000.
The original Santa Jack sled from the 1993 film Nightmare before Christmas fetched £36,600.
The screen-used animatronic Little Green Man from inside the human head set in the 1997 film Men In Black sold for £23,300 and the Pitbull hoverboard used by Biff Tannen in Back to the Future II sold for £12,650.And a set of Michael Jackson heads from the 1986 video Smooth Criminal fetched £6,000.
When I spoke to former 20th Century Fox exec (and regular comics writer) Jeff Katz last month about his experience on the set of “X-Men Origins: Wolverine,” he had a lot to say about Hugh Jackman’s “bad-ass” performance as Wolverine. But Jackman wasn’t the only “Wolverine” star Katz raved about during our conversation.
The comics-savvy Katz gushed about Ryan Reynolds’ portrayal of the “Merc with a Mouth,” Deadpool, as well as Taylor Kitsch’s performance as the card-tossing Cajun mutant, Gambit — and offered up a unique insider’s perspective on what it took to bring both of these fan-favorite characters to the big screen.
(For instance, would you believe a “Deadpool” movie has been in the works for more than five years? Yeah, I was surprised by that one, too.)
“[Ryan Reynolds] is, I think, the only guy who can play that character. He is that character,” Katz told MTV. “I have to say it’s one of the proudest things I’ve done in my career and took me five extra years to do it, but to finally get him into that role and get it done is something I’m very proud of.”
According to Katz, Deadpool’s journey to the big screen (and Reynolds’ connection to the character), began around the time when plans were being hashed out for “Blade: Trinity,” the third installment of the film franchise based on Marvel Comics’ vampire hunter. The film was written and directed by David Goyer, and at the time, Katz was serving in a similar capacity for New Line Cinema and “Blade” as he later served for Fox on “Wolverine.”
“All the way back to Ryan, Goyer and I on ‘Blade: Trinity,’ we were trying to put together a deal at New Line for a ‘Deadpool’ movie,” said Katz. “We thought the rights were clear and not part of the ‘X-Men’ universe, so Ryan could play the character and Goyer could write. I can’t remember why — I think they wanted to do a ‘Blade’ spin-off instead — but it didn’t come together. But Ryan, to his credit, has remained obsessed with the character.”
As for the other fan-favorite character making his big-screen debut, Katz had nothing but praise for Kitsch’s performance as Gambit, another mutant of questionable morals who rose to prominence in the ’90s as one of the most popular X-Men.
“There’s no question that I think Gambit’s going to play well,” said Katz. “Put Taylor in a trenchcoat and give him a staff, and watch out. He’s a tough kid, and he did a lot of his own stuff — and he looked like a million bucks doing it.”
Much like Deadpool’s journey to theaters, Katz told MTV that the decision to bring Gambit into the mix was also subject to a lengthy debate. And like Deadpool, Gambit experienced a few starts and stops along the way, too.
“The discussion is always, ‘Is this a good use of this character or do we want to save them to fully use down the line?’ — and that was the Gambit debate in the original trilogy of movies,” explained Katz. “With the original trilogy, there was also the idea that he and Wolverine would have tried to fit the same space, and it would been awkward. They understood that Gambit was popular, but was it worth just popping him in as a throwaway character, and not in service of setting up something down the line? Now I think there is a level of strategy in how we grow these things, and what characters can transition between multiple films.”
“The unique challenge of the X-Men universe — and in my opinion the beauty of it — is the tapestry,” added Katz, . “These movies, particularly with some of the films they’re looking to be doing, they all touch and build this big weave that’s unlike any sort of franchise.”
As one might expect, Katz cited Marvel Studios’ tactics for cross-promoting their stable of characters in various films as a great indication of the way franchises based on comic book characters could — and should — work down the road.
“It’s about seeding them, and in some cases even just teasing them, so it keeps the audience between the two years between movies,” said Katz. “It’s no different than teasing Sam Jackson at the end of ‘Iron Man.’ It’s a very basic sort of psychological thing, but it works. If you can send your fans out of that movie excited to go back in for the next round, that’s half the battle.”
And while Katz warned that he couldn’t speak with much certainty about the future of the X-Men franchise due to his departure from Fox, he reiterated his previous belief that there would be another round for Deadpool in the post-”Wolverine” world.
“At the end of the day, we’ll see where they choose to go,” said Katz, “but I think he’s nicely set up to be explored in his own way.”