Friday, April 18, 2008

Morgan Spurlock in Search of Osama


Four years after the release of his Oscar-nominated documentary, Super Size Me, in which he spent 30 days eating nothing but McDonald's food, Morgan Spurlock is about to release his second feature film. This one's about his search for the most wanted man on earth. The filmmaker forgoes fast-food binges for another type of physical danger: searching for Osama bin Laden. In an interview with TIME, Spurlock opens up about his quest.

TIME: Why do you care about Osama bin Laden?

Morgan Spurlock: You know, I think for me it’s just one of those questions in this post-9/11 world that a lot of people wonder. For me, it was 2005 when …we just got into a second term of the presidency. The war in Iraq had now been going on for two years. I think another tape came out somewhere around then, or a video, and suddenly on every news station people were saying, "Why hasn’t this guy been brought to justice?" "Why haven’t we found him?" "Where in the world is Osama bin Laden?" And I was like, that’s a great question. That’s something that I think everybody would like to get an answer to.

What do you think makes Osama tick?

I think there are so many things in the world that helped create Osama bin Laden. I think that’s what you start to see over the course of the movie [is ]what pushed people toward admiring or wanting to follow an Osama bin Laden: dictatorships in Middle Eastern countries oppress their people, extreme poverty and lack of access to health and education, people who feel like they’re being oppressed by their own countries. Michael F. Scheuer, who’s the former head of the Bin Laden unit of the CIA, said something very smart and eloquent, which was, what these people realize is rather than going after their own countries, they have to go to the champion and protector of these countries and that was the United States, so you start to see the pattern develop.

What was your wife’s (chef Alexandra Jamieson) initial reaction to this idea of seeking out arguably the most wanted man in the world?

She was not a fan. (Laughs.) Yeah. She completely hated it, and hated it for the whole time while we were still making it. She’s incredibly supportive of me as a filmmaker and the things that I want to do no matter how harebrained they may seem. We were already in pre-production on the movie when we found out she was pregnant. So that really shifted the focus of the movie for me because then it wasn’t just, Where is Osama bin Laden, What kind of world creates Osama bin Laden? But what kind of world am I bringing a kid into? It really did take on a different meaning for me. We started to talk through it together and I talked to her about why it was important to me, especially with our child on the way, she understood why it mattered. It was one of those things where she said, you know what? We need some concessions. I had to be home for the pregnancy. That was one of the deals I made with her. I had to be home when the baby was born. The other was, I wouldn’t go to Iraq. We hadn’t really planned on it. I feel like we see Iraq so much in the news every single day. To me the bigger story was where Osama bin Laden was hiding and where the first war started, which was Afghanistan.

What was the most dangerous thing you were exposed to?

The most dangerous and at least the most frightened I was over the course of the trip was probably when we were embedded with the troops in Afghanistan. These guys are targets. Al-Qaeda targets them. Taliban targets them. The week before we got to the base where were staying, there was a mortar attack on the base. There was a Taliban ambush on the governor’s convoy. There’s so many things that at any moment these guys could suddenly become target practice. That’s a scary place to be. You’re protected and you feel safe, but at the same time — you know we’re driving down the road and about a half-kilometer in front of us at one time they discovered an IED, so we got diverted. We had to go back to the base while they went ahead and dismantled this bomb. Things like that really ground you and bring you back to reality.

What did your producers say you could not do?

I’m trying to think. There wasn’t that much. (Laughs.) We pretty much threw caution to the wind and just went forward. Most of the things that we wanted to try to do we were able to accomplish. Pakistan is part of the example. We couldn’t get visas into Pakistan. We ultimately had to bribe our way into the country. We were denied access, denied access, denied access. We had someone inside the government who was giving us information and this person said our application had been denied countless times. There’s no way they’re going to let you in. We asked, Why? What’s the issue? They said, Well there are two reasons. One is that they don’t want anything to happen to you. The last thing they need is another “Daniel Pearl” murder to happen in Pakistan. The other is they’re afraid of what you’re going to talk about. They’re afraid of what you’ll find. We ended up having to bribe an official at the Pakistani embassy in Afghanistan who was able to get us into the country and let us do what we needed to do.

What did you imagine that you’d encounter? What were your preconceptions as you went out to try to find out what their preconceptions were?

I thought I would be met with a tremendous amount more hostility than I was throughout the Middle East. I thought there would be a lot more people who across the board had anti-American sentiment. And it just wasn’t the case. There were people who were very upset about our country’s government and about the foreign policy of our country, which I would say to them, Well the people elect government. They would say, Yeah, but at the same time you don’t know what’s going to happen once people get into office. They were very astute at making a distinction between people and the government. What was even more incredible was that a lot of people who were very anti-American had never even met an American in the first place. So what was incredible was that I would talk to people and they would say, But these Americans, all they want is this… And I would say, But I’m an American. And they would say, Really? So to have a conversation with someone and at the end for them to say, "Anytime you want to come back call us, come see us, stay with us," it was pretty mind-blowing for me.

There was that one area featured in the film where the people were really hostile toward you? Did you ever figure out why?

We were in Mia Sharem, which is an incredibly conservative, Hasidic neighborhood in Israel, an area where they’re very much against outsiders and don’t really trust the media. So we get there and our local fixer — because we had a fixer in every country — said that it would be a great place to go and speak to people. So we go there and we start to be yelled at [and told] to “Get out of here” and “You don’t belong here.” And then the crowd gathered very quickly. It was one of those things that nobody expected. It was overwhelming for everyone on the crew.

Did you genuinely believe that you could find Osama bin Laden?

I think that once we hit the road and started going from country to country, you start to get a bigger picture that it’s not just about this guy, that there are so many other things that are out there, that finding this one guy isn’t going to change every other thing that has led to this guy existing.

Most people would probably assume that you didn’t find OBL, so why do you think they will go see the movie?

I think that the movie is a fantastic look at the state of the world today. I think it’s a funny movie. I think it’s very entertaining. It’s not a history lesson. You don’t feel like you’re being fed spinach. I’m a fan of not making movies that taste like spinach. I think we’ll see when it opens, but I think that people are looking to have a little fun with a little bit of education to it. Not that I think this is bad education. I think this is a great primer. It’s a great way to open a door to a much larger conversation.

What do you think of the pop-culturization of heavy-duty issues such as the search for OBL, the ongoing saga of Gitmo or the war in Iraq?

Well I think that anything that exists within the world and has an impact on the public psyche suddenly becomes a part of entertainment or pop culture in some ways. It kind of starts to find its way into the vernacular or into the films and TV shows that are being made. I think it’s inevitable. It happened with Vietnam. It happened with World War II. It happened with Hitler. These things just work their way into the media because they are a huge influence on how people think, how they feel, what they believe. Some of the people turn their backs on it, some of them embrace it.

How was fasting during Ramadan for a non-Muslim? It was one of the hardest things I’ve ever done. (Laughs.) I didn’t make it the full month. I made it about 22 days. I made it almost the whole way. So what they said is that I just have to make up those 8 days. At some point, I have to fast for 8 days.

Was it a conscious decision not to include any OBL videos?

I feel like we see those all the time. That’s what we get to hear. We get to hear from him constantly. We don’t get to hear from everybody else.

In 10 years or so, when your son (born in 2006) is old enough to watch the film, what do you hope it will mean to him?

I hope that it opens his eyes and his mind up to other people and other cultures. I hope it piques his interest of wanting to go to places like that on his own, wanting to travel on his own. That’s what I hope for this film for anybody who sees it. We live in a country where 1 in 4 people has a passport. I think that it would be great if in some way people suddenly said "I want to go out and see what’s happening for myself. I want to make up my own mind and not just be sold the bill of goods that I see on TV or read in the papers every day."

Original here

Thursday, April 17, 2008

The Top 8 worst Microsoft promo videos

You thought that Microsoft Vista video from earlier today was bad? Watch these.

Lest we forget the turgid history of some other horrifically bad promotional videos from Microsoft that will forever be burned into our brains. Here are some of my top picks:

8. Steve Ballmer Sells Windows 1.0


Do plaid suits make you think of Crockett and Tubbs? Didn't think so, but apparently now-CEO of Microsoft Steve Ballmer thought it would be an accurate attempt at making Windows Write look more useful than Word, which at the time was not yet working very well with Windows. In his pre-"monkey boy" days Ballmer could still get things cooking though. Who else would get this excited about Reversi?

7. Windows 98: It's a Series of Tubes


What makes this one great is that this is probably what Alaskan Sen. Ted Stevens saw before making his famous "series of tubes" speech. An e-mail is sent out and makes a perilous journey through the neon tunnels of the Internets. When actually delivered, the e-mail comes into the woman's laptop as a glowing sphere of light, as well as to everyone else including a young boy who is clearly far too young to be working as an employee of Global.com. Between that, the completely unnecessary espionage subplot, and the cameo by stillborn WebTV, this one is a keeper.

6. Microsoft Flight Simulator X (a.k.a. Virtual Air Traffic Controller)


See what they did here? You can buy a $50 software title and not even have to play it. You can just sit at home and help other people have fun by pretending to be an air traffic controller. Even better, couples can play together, the young and old can play together--it was like the Nintendo Wii, but before its time. Then end it all with an obligatory multicultural odd-couple moment and you've got one of the greatest promotional videos ever made.

5. If MS Vista Launches, and Nobody is There to See it...


Can't get anyone to buy your fancy new operating system? Try making a slick video of your company blowing a ton of money on promotions worldwide. Then combine footage with explosive techno music.

4. Windows ME: It's Hammer Time


Look it's the same version of Windows Media player you've got in Windows 2000. But wait, we've got new keyboard protection in case your child attacks your computer with plastic hammers--forcing you to roll back your version of the OS to a more stable one. Oh yeah, there's also a new version of Internet Explorer that you don't need to upgrade your operating system to use. How ready are you to pay us $200?

3. MS-DOS 5 Upgrade (Give Me My 5 Minutes Back)


These working slubs were expecting a boring training session but look who turned up! It's some guy that's a cross between Bill Nye the science guy and crazy tax guy Matthew Lesko. He's got The Dreams with him, too! With such awesomely bad lyrics as "Free more memory can'tcha see, spring those K's that got to be free" how can you not want to upgrade?

2. Windows 386 Made Impossible


What could be in that large bag you ask? Why of course it's a Mission Impossible-style self-destructing tape. What's the impossible task? Using the latest version of Windows. How cute. That's not the weirdest part though--when "Linda" goes New Wave and begins rapping about making her charts hot it's an HR violation in the making. Don't forget to check out Part 2 here, or else you'll never know how the story ends.

1. The Windows 95 Ad that Offends Everyone


Parodies, bad costumes, even worse puns and the phrase "whip it on me" make this one of the worst offenders. Besides the fact that Windows 95 literally explodes out of a copy of MS DOS that's cut in half with a chainsaw, it's quickly followed up by screencasts put to saxophone music and an over-the-top actor who's constantly putting out David Caruso-caliber one-liners. The worst part? It's kind of enjoyable to watch.

Original here

Miraculous Direct Note Access can completely change music


Music recording software just took another giant leap, now able to do what was thought to be impossible. Direct Note Access individually manipulates groups of musical notes (chords), giving recording engineers the ability to completely and undetectably create pitch-perfect performances, even from groups of tone-deaf musicians playing together. Created by German programmer and erstwhile guitar maker Peter Neubäcker, his company, Celemony, will offer the software as a plug-in for its Melodyne voice and instrument tuning software.

Until now, this trick was only possible with single notes — an exaggerated example can be heard in Cher’s 1998 hit, “Believe,” which used the competing Auto-Tune system. For more than a decade, that software has been the recording industry’s dirty little secret, fixing any out-of-tune notes crooned by an individual singer or played on any single-note instrument. But this breakthrough takes that magic manipulation many steps further, allowing engineers to create entirely new music from existing recordings.

With this astonishing software, engineers can dig deep into a mix. For example, they could change each individual note of a guitar chord, or fix one wrong note played by a musician in a symphony orchestra. It’s like Photoshop for music. Available this fall, let’s hope Direct Note Access is ready in time to fix up next season's American Idol performances, especially the auditions. Randy Jackson might like the resulting absence of "pitchiness," but then maybe some humanity of performance will be lost, too. Hit Continue for a remarkable demo:



Original here